The first time I read The Old Man and the Sea was freshman year of high school. I recently won a free e-ARC from NetGalley, which is why I chose to revisit it. But I am always happy to do re-readings because I like comparing and contrasting my notes*. You can read a book one way, and have a completely different experience reading it again. There are so many different ways to read a book, and each reader has a different perspective and interpretation of it. You may even have multiple perspectives of a book you have read before, because you may be a different person than you were the first time you read it. This is true for me, because I was so young and have grown so much from the first time I read The Old Man and the Sea. Continue reading
Todd Lawton and Jeff LeBlanc, the cofounders of Out of Print, have launched an app that brings together books and social media.
Out of Print, an established literary themed apparel company, brings consumers wearable works of literature, offering men, women and childrens clothing as well as accessories and gifts. Purchases made to Out of Print help to “promote literacy in underserved communities: each purchase helps to fund literacy programs and book donations to communities in need. It also supports the authors, publishers and artists who made these iconic works an integral part of our lives.”
“We see Litsy as an extension of Out of Print’s mission to get people talking about books and starting conversations,” Lawton said. Litsy exists as a sort of amalgam of the current giants of social media, combining elements of Instaram, Twitter and Goodreads into a one-stop-shop for everything book-ish. “What we wanted to do was take the best, the most fun aspects of other social media platforms and back it with an amazing book database.” Continue reading
“Not a narrative. Not an essay. Not a shopping list. Not a song. Not a diary. Not an etiquette manual. Not a confession. Not a prayer. Not a secret letter sent through the silent Palace hallways before dawn.”
A Pillow Book, Suzanne Buffam’s 2016 book of poetry, is a great companion for anyone struggling with sleep. During the darkest hours of night and through the early hours of morning, at dusk or dawn, the poems in A Pillow Book possesses the hypnotizing ability to lull readers into a restful trance. Continue reading
Roshani Chokshi’s debut novel The Star-Touched Queen is an adventure, taking the reader through far-away otherworldly lands on a journey of self-reflection and self-discovery. Driven to enchanted bazaars and palaces of another time, racing on horseback across barren fields and wild jungles, the story engulfs the reader, allowing readers to become one with the character Mayavati as she bites into fairy fruits of sapphires and pearls and wears a crown of stars in her hair.
Told in horoscopes and embedded in myth, this story captivates and entrances the reader, lulling them with dreamlike images of golden honeycomb archives and gem-laden palace hallways, inviting readers into a world of fantasy, fairytale, lore and beauty. Spoken in riddles, the novel itself encourages deep thinking. Reminding us that “everything is a matter of interpretation” (112) the book promotes thoughtful decision making. Urging readers to practice “a different way of seeing” (143). But reader beware: The Star-Touched Queen bears virtue and valor, but also loses herself to impulsivity and falls victim to rumor. Like any other mortal, Maya must overcome her past in order to triumph in her future. Following her trials the reader learns from her mistakes, understanding as she does the importance of logic, reasoning, and fairness. Her lover Amar helps her in (re)discovering herself, gently encouraging her strengths and challenging her weaknesses, while simultaneously doing his best to protect her from her those who might try and ruin her.
Milk and Honey is a collection of poetry that takes the reader through a time of pain and personal growth. The book is separated into four chapters, or categories: the hurting, the loving, the breaking, the healing. In this order, respectively, Rupi Kaur releases her experiences with violence, abuse, love, loss, and femininity. Continue reading
“It’s nine forty now, try not to eat it till twelve, right?”
Less than a page later:
“The plate has a note attached: Lunch for Maud to eat after 12 p.m. I take the Saran Wrap off.”
Two sentences later:
“When I’ve finished eating I wander back to the sitting room.”
With her love of toast and cans of peaches, one would think that the narrator of Elizabeth is Missing, eighty-two year old Maud, would be a relatable character – and although her dementia progresses with each page, this sentiment holds true. Continue reading