Orange Is The New Black routinely pays homage to its form, by referencing books throughout the entire Netflix original series. After the first season, the show heavily diverges from the truth of the memoir it was based on, though the show still makes an effort to honor books by including them in the characters lives. Not only do inmates rely on story to get through their incarceration, but their incarceration becomes a story (ie. Orange Is The New Black: A Memoir by Piper Kerman).
OITNB may weave a tall tale, but a tale that is rooted in truth. Although the lives of Chapman and the other inmates depicted on the show are fictitious, they are based on real people in true situations. The show brings to light real issues that exist within the prison system, and educates us while entertaining us.
Todd Lawton and Jeff LeBlanc, the cofounders of Out of Print, have launched an app that brings together books and social media.
Out of Print, an established literary themed apparel company, brings consumers wearable works of literature, offering men, women and childrens clothing as well as accessories and gifts. Purchases made to Out of Print help to “promote literacy in underserved communities: each purchase helps to fund literacy programs and book donations to communities in need. It also supports the authors, publishers and artists who made these iconic works an integral part of our lives.”
“We see Litsy as an extension of Out of Print’s mission to get people talking about books and starting conversations,” Lawton said. Litsy exists as a sort of amalgam of the current giants of social media, combining elements of Instaram, Twitter and Goodreads into a one-stop-shop for everything book-ish. “What we wanted to do was take the best, the most fun aspects of other social media platforms and back it with an amazing book database.” Continue reading
Shelley Jackson’s Patchwork Girl demonstrates how intertextual allusions are used as piecework in order to construct new literatures together from various sources of the past. Presented in hypertext format, Patchwork Girl uses intertextual allusions borrowed from canonical texts such as Mary Shelley’s Frankenstein and L. Frank Baum’s Patchwork Girl of Oz to create a new work inspired by and in reference to Shelley and Baum’s works, reinterpreting their ideas and making them modern. The work of Patchwork Girl proves that literature has always been intertextual – writers have forever been influenced by other writers. We are all only standing on the shoulders of giants.
Salvador Plascencia’s debut novel The People of Paper raises questions regarding authorship and voice in a work. Blurring the lines between author and speaker, the work leaves readers questioning who is really getting to tell the story.
In a world where the victors of war (colonizers, or Saturn) dictate written history, The People of Paper offers a novel wherein the colonized (members of E.M.F.) have the opportunity to dictate their own point of view. This novel forces readers to question the authenticity of what they are reading; how much of the story has been fabricated, misrepresented, or mistold? This novel requires readers to glean their own understanding of truth by sifting through various sides of the same story. Continue reading
Margaret Larlham is a director and playwright at San Diego State University. Her scripts are adapted from children’s literature have a strong focus on physicality and cultural diversity.
Larlham was born and educated in South Africa, and taught in the Speech and Drama Department at the University of Natal in Durban, South Africa prior to moving to San Diego in 1986. Continue reading
Milk and Honey is a collection of poetry that takes the reader through a time of pain and personal growth. The book is separated into four chapters, or categories: the hurting, the loving, the breaking, the healing. In this order, respectively, Rupi Kaur releases her experiences with violence, abuse, love, loss, and femininity. Continue reading