The first time I read The Old Man and the Sea was freshman year of high school. I recently won a free e-ARC from NetGalley, which is why I chose to revisit it. But I am always happy to do re-readings because I like comparing and contrasting my notes*. You can read a book one way, and have a completely different experience reading it again. There are so many different ways to read a book, and each reader has a different perspective and interpretation of it. You may even have multiple perspectives of a book you have read before, because you may be a different person than you were the first time you read it. This is true for me, because I was so young and have grown so much from the first time I read The Old Man and the Sea. Continue reading
Rebecca Dunham is a poet and Professor of English at the University of Wisconsin-Milwaukee, where she teaches creative writing. Her work has been described as post-confessional and concerns itself with feminist and ecological issues. Her most recent publication, Cold Pastoral, is a collection of poems based on modern ecological disasters such as the Deepwater Horizon oil spill. She has published four other collections of poetry, including Fascicle, Glass Armonica, The Miniature Room, and The Flight Cage.
Q: What does Cold Pastoral mean, for you? What do you hope readers gain after reading the poems?
Personally, the book marks a point in my life when I had to take stock of my place in the world around me, as well as the function of poetry within that world. For readers, I hope that the poet-speaker’s journey will resonate with those of us who may mean well, but who have also blinded ourselves to the mounting human and environmental crises around us. I would hope that the book will encourage readers to consider their responsibility to others, as well as potential for language and literature to enact change. Continue reading
pg. 41: http://www.bounceapp.com/208967
For me, Danielewski’s work exemplifies the idea of multi-vocality and demonstrates it for readers in a variety of ways. I am most intrigued with the idea that we are “all standing on the shoulders of giants”; in other words, the idea that we reference authors of the past by reworking their texts or by embedding ancient characters and plots into modern contexts.
Many of the ideas in the book can be considered as echos of past authors. Myths are retold, ancient languages are translated, and authors are constantly referenced and cross referenced throughout the manuscript and footnotes. There is blatant evidence of Danielewski’s sources and inspirations, and it is clear that he leans heavily on works of the past. Continue reading