*EDIT: Answers have been revealed (IN CAPS).
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Author Iain S. Thomas (under the pen name PLEASEFINDTHIS) now has a series of published I Wrote This For You books, including I Wrote This For You, I Wrote This For You: Just The Words and I Wrote This For You And Only You. Find the original blog at http://www.iwrotethisforyou.me/.
They are exactly what you expect: pining love poems, written to an unknown recipient. Readers are granted access into the speaker’s advice to his beloved, and are left wondering what to make of the challenging associations.
The author wrote the first sentence in a spiral-bound notebook by the side of his bed in 2006, and uploaded the first sentence to his blog on the 5th of July, 2007. All subsequent posts encapsulate what has become the I Wrote This For You series, a seemingly never-ended photography-and-poetry project. The digitized and printed series I Wrote This For You was officially released as a book in 2011, but remains accessible at http://www.iwrotethisforyou.me/. Continue reading
Dunham’s poetry comes to us at a desperate time. We currently face the ecological threats of global warming, as exacerbated by our human interactions with the world we inhabit. Pollution, over-population, and deforestation are serious hazards to our environment, and Dunham understands our human contribution to the problem. With her poems, she hopes to educate and inform readers of the very real consequences of forgetting to care for the Earth.
This collection examines the man-made and/or human-influenced natural disasters of our time: the explosion on the Deepwater Horizon oil rig, Hurricane Katrina and its devastating aftermath, and the Flint water crisis. Dunham tactfully weaves desolate poems with evidenciary support, creating a powerful report on what really happened with the Oil Spill. Continue reading
Jill McDonough’s book of poetry Reaper is written at a desperate time for humanity. We currently face the very real threats of overpopulation, pollution and global warming, all of which stir up questions of control and technology. McDonough brings awareness to these issues while at the same time providing hope for the future.
McDonough predicts that the loss of our humanity, of nature, and the loss of human nature – the loss of the self – will all be, in part, due to the rise of technology. We, as a species, are becoming numb to our own desires, “wanting … wanting” (10). People are currently content to be “distracted” (16), brainwashed, in a sense, numb to life. We take for granted the little things, things that don’t require technology, like emotions, feelings, or experiences; the more we allow technology to rule our loves, the more we lose sight of our true selves.
By now, any Disney fan will have seen the new and highly anticipated Live-Action remake of Beauty and the Beast.
A young woman whose father has been imprisoned by a terrifying beast offers herself in his place, unaware that her captor is actually a prince, physically altered by a magic spell.
Disney’s animated classic takes on a new form, with a widened mythology and an all-star cast. A young prince, imprisoned in the form of a beast, can be freed only by true love. What may be his only opportunity arrives when he meets Belle, the only human girl to ever visit the castle since it was enchanted.
It has been regarded by fans that Disney has tactfully captured the essence of the original cartoon which so touched our hearts as young children, but how faithful do these Disney remakes remain to the original tale of La Belle et la Bête?