With her older sister Estrella in the ICU and her father in jail, eleven-year-old Luz Castillo has been taken into the custody of the state. Alone in her room, she retreats behind a wall of silence, writing in her journal and shuffling through a deck of lotería cards. Each of the cards’ colorful images—mermaids, bottles, spiders, death, and stars—sparks a random memory.
Pieced together, these snapshots bring into focus the joy and pain of the young girl’s life, and the events that led to her present situation. But just as the story becomes clear, a breathtaking twist changes everything.
This book was stippled with Spanish aphorisms and phrases, and included an impressive amount of vocabulary in-context, to help teach Spanish to non-speakers. A full deck of Lotería cards is presented back-to-front, to mark the chapters, as if the reader is flipping a card when turning the page, reminiscent of Isabelle Allende and Salvador Plascencia’s magical realism.
“I didn’t feel like remembering today so I laid out the cards close to each other so that they were touching like tiles, like El Nopal.” (175).
Luz associates her memories with the Lotería cards, using them to prompt her, to spark her memories. Than she writes about it in her journal. As we read her diary — addressed to “You”, always capitalized, in reference to the reader, or in reference to a higher power — we understand the trauma she is trying to run from. Continue reading